Sunday, 31 May 2015

Murale Cheeroth


Artville Artist Of The Day 
Murali Cheeroth
Untitled
Oil On Canvas
42 X 60 Inches
2008

Murali Cheeroth, through his works, reveals his concern about physical and psychological aspects of violence that pervades contemporary reality. This over-forty Bangalore-based artist has seen life’s differing contours closely. Born in a small village in Kerala he developed interest in art since his early days. After acquiring Diploma in Painting from Govt. College of Art, Trissur in 1987, he left for Shantiniketan to complete his BFA and MFA in Graphic Art. His next stop was Bharat Bhavan, Bhopal where he stayed for a year before proceeding to Kanoria Centre for Arts, Ahmedabad first as a resident artist and then as a faculty. Murali who has taught at College of Architecture, Ahmedabad and National Institute of Design has, since 2000, made Bangalore his home.

Murali has held several solo and two/three-person exhibitions besides participating in group shows in different cities of India as well as Sophia (Bulgaria), Bangkok, New York, Durban, and Dubai. Murali’s recent paintings seem like vignettes of an erupting city. The artist’s past involvement with theatre and continuing interest in cinema helps him present his images through unusual perspective and dramatic ambiance.

In his paintings, the human figure holds a sense of mystery. Isolated and enigmatic, its profile is either partially seen or intentionally blurred. Harshly illuminated by a flood of colorful neon lights, it seems to be living on the edge. His forms come across with sweeping brushstrokes shaping fleeting images of the mechanical superficialities like in his ‘mise-en-scene’ series. Man is relentlessly engulfed in his interactions with the mechanical machines, ignorant of a conscience that may lead to an eventual irreparable havoc.

In several instances, Murali grasps the gait and movement of uniformed men, who are seen casually carrying weapons. There is an inherent sense of violence in all these works but the socio-political implications are carefully controlled and subdued. His idiom is stronger and the strokes fast and frenetic, quite like city life. The urban tribe, children of displacement, living in an emerging world, with new problems and new thrills are effectively delineated on the canvases using unnatural, hybrid colors like neon hues and halogen tones. "There are no natural colors," points out the artist at the use of this modern palette, a contemporary color scheme.

The story Murali Cheeroth is telling is clearly of this citizen who's finding his bearings in a new space. There is a feel of centrifugal speed, of spin, of motion adroitly created by technique and the works leave you stirred. The artist's creative zeal does not stop with a painted thought process but carries on with interesting captions. He feels, “A viewer feels very comfortable with an untitled work but a caption gives him a lead.” A clever way with words for a work is this caption: clockwise from below left. There is a sense of excited movement in the work. Most contours are hazy and brisk as identities get lost in a city and new faces emerge.
The artist lives and works in Bangalore.
Suruchi Khubchandani
courtesy:shrineempiregallery

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Saturday, 30 May 2015

Jitish Kallat

Artville Artist Of The Day
Jitish Kallat
Syzygy (The Cloud Bearer's Rotation),
2013
Sculptures, Dental plaster 
48 x 33.1 x 7.1 in
Jitish Kallat (Indian, b.1974) is a painter, sculptor, photographer, and installation artist best known for work that celebrates the city of Mumbai, using a visual language derived from popular advertising. Born in Mumbai, Kallat studied painting at the Sir J.J. School of Art, and rejected his training in Modernism and abstraction to create early works based on references to the billboards and popular culture of Mumbai. Kallat portrays the socio-economic and political circumstances of the city in a way that emphasizes its liveliness and resilience. His Dawn Chorus (2007) series, for example, shows street urchins with hair that forms a web of traffic and pedestrians; he mounts these paintings on sculptures made from wall decorations found in a 120-year-old train station in Mumbai. Kallat’s photographic work includes a series called Cenotaph (A Deed Of Transfer) (2007), which documents the demolition of a row of slums, suggesting the progressive but sometimes brutal consequences of modernization in Mumbai. Kallat’s Public Notice Works (2003–2010) series—large-scale installations that displayed Jawaharlal Nehru’s speech of 1947 on a reflective surface, Mahatma Gandhi’s 1930 speech on fiberglass letters, and Swami Vivekananda’s speech during the 1893 World’s Columbian Exposition on LED displays—were shown at the Art Institute of Chicago. Kalla’s work has been exhibited at the ZKM Museum in Karlsruhe and the Tate Modern in London, and his work is held in several collections, such as the Museum of Contemporary Art in Los Angeles and the Saatchi collection. He lives and works in Mumbai.
courtesy:artnet
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Friday, 29 May 2015

Bose Krishnamachari

Artville Artist Of The Day
Bose Krishnamachari
GHOST DROPS
2006
Acrylic on canvas
48 x 48 in.
Krishnamachari works in striking and dynamic abstracts, and with figures seen through saturated lenses. Even in his photography and multi-media installations, color is a dominant force. He says, "I refine my color to brightness. I have learnt this usage from the alternately subdued and lavish color codes of Indian ceremonies and ritual performances; the costumes, the gestures of enactment..."
In addition to being an artist, Krishnamachari curates exhibitions and projects. He is driven by a desire to support the younger generation of Indian artists.
courtesy:aicon
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Thursday, 28 May 2015

Subodh Gupta


Artville Artist Of The Day
Subodh Gupta (Indian, born 1964)
Title:Two Mechanized Cows, 2014
Medium:Sculptures, cast bronze, chrome plated
Size Notes:two life-sized Royal Enfields
Subodh Gupta (Indian, b.1964) grew up in Bihar, one of India’s least economically developed states, and received his BFA from the College of Arts and Crafts in Patna. Gupta had already been working as a sculptor and painter for several years when his gallery, Nature Morte, exhibited the monumental bronze steel installation Gandhi’s Three Monkeys, made out of antique utensils, at Art Basel in 2007. He received great international acclaim for the piece, and later that year presented his sculpture Very Hungry God, a giant skull made out of stainless steel tiffin pots, in front of the Palazzo Grassi at Canal Grande, parallel to the Venice Biennale.
Gupta’s transformation of everyday objects into art installations has become characteristic of his work, playing on clichéd images of India’s rapidly changing society. Though he is best described as a sculptor, Gupta works with a variety of media, including painting, photography, and video. In identifying Indian icons that possess innate dichotomies, such as a colonial-style ambassador’s car, sacred cow dung, or the stainless steel utensils of a typical South Asian kitchen, Gupta questions the ambivalence of a society caught between traditional customs and globalization, booming wealth and impoverishment, and old caste politics and religious beliefs. Gupta, who is currently regarded as one of the most successful contemporary Indian artists, lives and works in New Delhi.
courtesy:artnet
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Wednesday, 27 May 2015

JMS Mani

Artville Artist Of The Day
JMS Mani
Badami Series
Mixed Media on Mount Board
18'' x 18''
2013
Though seemingly simple, Mani's images are representative of the people of Badami. Using his canvas he portrays them as they carry on selling their bananas and ballons. He brings out their strength of character and beauty in the midst of their mundane and hard life.
Courtesy:mahua

Tuesday, 26 May 2015

Riyas Komu


Artville Aritst Of The Day
Riyas Komu
Oxygen - An Illusion
2002
Oil, enamel and marble grain on canvas
41.5 in x 65.5 in
Riyas Komu was born in 1971 in Kerala, and moved to Mumbai in 1992 to study literature. Dropping out during his final year, Komu eventually obtained his Bachelor’s and Master’s degrees in Fine Art from the Sir J. J. School of Art in 1997 and 1999 respectively. Since his graduation, Komu has been constantly asserting and pushing himself with a strong body of work.
The artist’s oeuvre, spanning several different media and genres, is particularly noticed for its strong political overtones. His paintings, to put it in his own words, carry a protest symbol one way or the other. He has remarked, “I strongly feel it is my duty to be political. I believe that my paintings should look back at the viewer rather than just tell a story or hang on the wall.”
Influenced by his father’s political leanings and his own brief associations with political student groups, Komu is keen on using his work to “ring alarm bells” about the explosive urban situation he encountered in Mumbai. His body of work references the paradoxes of the urban situation, where on one hand, there is glamour, and on the other, abject poverty. Creating his pieces with equal doses of compassion and cynicism, Komu’s work reflects both hope and dejection – a tribute to the spirit of all those who continue to survive the city and its paradoxes.
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Saturday, 23 May 2015

Azis TM

Artville Artist Of The Day
Azis TM
Untitled
Water Color On Paper
2006
30 x 22 in
I grew up in Trichur, Kerala, famous for its many temple festivals. For a child, Kerala is one of the best places to develop as an artist. Stunning landscapes that blossom quite naturally on your canvas the moment you dip your brush in paint surround one !so it was, I guess, natural to move to Thiruvananthapuram to my Bachelor’s in Fine Arts, and equally logical to move from the extreme south to Delhi for my Master’s! As an artist, exhibitions are an essential part of life. Solo and group shows have been regular since those college “chai-samosa” days. Shows that brought friends and critics to my studio, with appreciation and suggestions, alike they continued to inspire my experiments with figures. Some of my creative out pourings have adorned their homes and offices. Quite a few have become friends. But most others have a part of me – for a true painter is as attached to his works as he is to his children. Even though I don’t know them as intimately as I would have liked. Living and working in Bangalore, I suppose just doesn’t permit me the time to get to know all my aficionados. Perhaps in another time, another place I wistfully think, perhaps I will know them eventually, perhaps not yet I am content a part of me lives with them.
courtesy:artmajeur