Monday, 9 March 2015

Murali Cheeroth


Artville Artist Of The Day
Murali Cheeroth
Title: Unmarked 9
Year: 2009
Medium: Oil on canvas
img courtesy: api.aptglobal
..my working process is a kind of extraction system, that draws on tiny concerns about uber urbanization, frenzied globalization and the visual/virtual stimulation therein, and folds and unfolds them into another reality to simplify their characteristics and relationships in order to build a new visual experience that is clear and vivid.
Murali Cheeroth

Sunday, 8 March 2015

Shanthamani


Artville Artist Of The Day
Shanthamani
Title: Mint/d
Size: 30 x 72 x 6 inches
Shantamani Master who was born in Bangalore in 1967 obtained her Bachelores degree in Art from CAVA, Mysore and Master of Arts (fine) in painting from Faculty of Fine Arts, M.S. University, Baroda.
Here is an artist statement on her current exhibition, Fluid Fragmnets. "Fluid Fragments is an installation of paper works revolving around female body displayed in layers. Today's medico- technological innovations like Genetic engineering, M.R.I and Gamma imaging have introduced new techniques of non-invasive examination and stirred new interest amongst us to look inwards, into our own body. Body has been put back on the examination table - every inch has been dissected and measured. Hence, the body technologically, conceptually and aesthetically becomes very fragmented; our image of the body no longer remains as a whole.
These techniques of M.R.I and Gamma imaging virtually slice every inch of live human body without touching. This fragmented way of seeing the body layer after layer interested me. When I applied the same technique of layering the body conceptually and aesthetically in my work it opened up tremendous possibilities. Possibilities of dealing with many issues of life, especially of female body in one go. The possibility of parallel opening of many aspects of life - like women's body as a metaphor, female body and its gender politics, and the way body is seen in religion, law and technology. When I combined with this the process of bringing out my own experience it ended in a rich outcome. Being a woman by birth and an artist I have observed many woman's attitude of looking inwards; a woman's compulsions of being highly conscious of her own body and the way she introspects the changes that the age brings was the reason I chose a female form.
Separating the painting from the wall I have devised a display pattern where viewer walks in between these layers. This offers an experience of being part of the work for a viewer; it reduces the gap between an onlooker and the displayed object. It's an experience of traveling inwards and responding to the issues in and around the body."
courtesy: saffronart

Friday, 6 March 2015

Maya Burman



Artville Artist Of The Day
Maya Burman
Title: Tender Caress – II
Medium: Water Color, Pen & Ink On Paper
Size:19” X 25”
Year: 2014
The 43-year-old Paris-based Maya Burman creates works that have painstaking detailing for which she works in a methodical and laborious fashion: starting with a pencil sketch, moving on to a layer of watercolours and finishing with a black ink pen. Reminiscent of the French art nouveau tradition and drawing from Indian miniature painting, the artist happily merges two cultures in her evocative works.
courtesy:vervemagazine

Thursday, 5 March 2015

Nalini Malani

Artville Artist Of The Day
Nalini Malani
Title: Listening to the Shades 7
Medium: Acrylic, ink and enamel reverse painting on acrylic sheet
Year: 2008
Malani's work is influenced by her experiences as a refugee of the Partition of India. She places inherited iconographies and cherished cultural stereotypes under pressure. Her point of view is unwaveringly urban and internationalist, and unsparing in its condemnation of a cynical nationalism that exploits the beliefs of the masses. Hers is an art of excess, going beyond the boundaries of legitimized narrative, exceeding the conventional and initiating dialogue.
Characteristics of her work have been the gradual movement towards new media, international collaboration and expanding dimensions of the pictorial surface into the surrounding space as ephemeral wall drawing, installation, shadow play, multi projection works and theatre.
courtesy:nalinimalani

Wednesday, 4 March 2015

Bahuleyan


Artville Artist Of The Day
BAHULEYAN
Title: Transformation 2
Medium: Acrylic on canvas
Size: 48” x 36”
Born in Thrissur, Kerala 1996 - national diploma in painting Govt. fine arts college thrissur 1994 - National exhibition conducted by Kerala Lalithakala Academy 1996- Solo show sponsored by Kerala Lalithakala Academy 1996 - Exhibition of prints at LORDZ University art gallery, poland 1997 - solo show of paintings at KODLES University, Poland 1997 - National Exhibition conducted by Kerala Lalithakala Academy 2002 - Group Show Saldia Souk, Kuwait 2010 - Ruptured, Solo Show at Chitrasala Art Gallery, Kerala Lalithakala Academy
courtesy:indianartcollectors

K.P.Reji


Artville Artist Of The Day
K.P.Reji
Ttile: The Tailor
Year: 2003
Medium: Oil on canvas
Size: 60 x 83 ½ inches
Private collection
Photo: Sakshi Gallery, Mumbai
In The Tailor, K.P. Reji portrayed a couple who evoke Adam and Eve. They are connected like conjoined twins and await clothing that has yet to be finished. The tailor, presumably representing the Devil, has coerced the couple to fall from grace and now busily stitches garments to hide their nudity. In contrast to the biblical account, the connectedness of the couple implies that culpability for the fall is shared and not only the fault of Eve.
courtesy:sjmusart.

Wednesday, 25 February 2015

S G Vasudev


Artville Artist Of The Day
S G Vasudev
Title: Tree Worshippers
Size: 123 x 154 cms
Year: 2006
Vasudev’s themes often spill into one another and they reappear over and again, like old refrains. The Vriksha turns up to meld with the Earthscapes. The Maithuna and the Theatre of Life converge at some point. It is, therefore, no surprise that today Vasudev’s work is close to his work of the early 70s. He uses similar lyrical lines, the feathering out of images and the clear, brilliant colours that were used then. This merging of images and renewal of ideas give his work both freshness and familiarity. When you see a new Vasudev work, you recognise a familiar motif and yet there is always something new. The Vriksha never regains its guileless gaiety but it does acquire a new intensity. Vasudev recounts how years ago, at the time when he was starting out in his career in the early 70s, it was imperative to search deep into the past for new ideas. This paradox describes his idiom well.
courtesy:vasudevart.
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